Marysia Osu is a Polish-born, London-based harpist, producer, and composer known for her innovative blend of classical, ambient, and jazz music. Her debut album, harp, beats & dreams, explores themes of philosophy, dreams, and the interplay between the conscious and unconscious mind. The album is an intimate journey into her inner world, composed as a series of diary-like entries that served her as a means of self-soothing and reflection. Fully self-produced, it documents her evolution as a solo composer and producer.

Christopher (they/them, he/him) is a dynamic harpist and interdisciplinary artist whose work spans classical, contemporary, and experimental music. Originally from Windsor, Ontario, Canada, they began their harp studies at the age of three with Anita Leschied and developed a passion for music through early experiences in piano, flute, guitar, and voice. By the time they graduated from Vincent Massey Secondary School in 2016, Christopher had already worked with the Windsor Symphony Orchestra as a solo vocalist, served as principal harpist of the Windsor Symphony Youth Orchestra, and acted as Music Director for Arts Collective Theatre.

Tamsin is a multi-instrumentalist, composer and filmmaker with roots in the traditional dance tunes of the British Isles. Her debut solo album FREY (Penny Fiddle Records, 2022) established her as a rising star on the folk scene, with The Guardian praising her "beautiful, filmic compositions for accordion, harp, whistle and voice”. Exploring themes of chronic illness and environmental grief, FREY offers a poignant reflection on the human experience, whilst her forthcoming album The Meeting Tree celebrates connection, nature and the joy of sharing tunes with friends. Tamsin’s trio features long-term collaborators Sid Goldsmith on cittern and concertina and Rowan Elliott on fiddle.

Likened to Kate Bush, Eddie Reader and Joanna Newsom, singer-songwriter and harpist Esther Swift is an up-and-coming musician in the Scottish folk music scene. Whilst being heavily influenced by her folk roots, Esther’s music also combines jazz, blues and minimalist references. With a passion for pushing the boundaries of folk and classical harp music, she has become a prolific songwriter. A deep love of Scotland, the Scottish Borders (where Esther grew up) and nature continually inspire and influence her music; the songs of her new EP 'The Mairches' which features cojon, string quartet and trumpet, are based on her life growing up in The Scottish Borders.